National Archives of Canada, C-010489 | 18 1.2 Harleian World Map (detail of Canada), paint on parchment, 30 ⴛ 93 cm, 1542–44. Where Do We Go from Here? Modernism versus Landscape at Mid-Century | 236 Epilogue | 274 Notes | 281 Bibliography | 311 Index | 347ġ.1 Giacomo Gastaldi, The Land of Hochelaga in New France, woodcut and watercolour, 26.7 ⴛ 36.7 cm, 1556. Into Humanity instead of the Woods The 1930s in French and English Canada | 211 “O God, What Have I Seen?” The Cult of the Group of Seven, 1920 to 1931 | 184 Man Hath Dominion Wilderness Landscapes in English Canada, 1870 to 1913 | 147Ī Canadian School for Sure Tom Thomson and the Group of Seven, 1913 to 1930 | 169 Promises of Survival Territory and Sédentarisme in French Canada, 1880s to 1940s | 129 Our Faith, Our Language, Our Institutions Territory and Sédentarisme in French Canada, 1830s to 1880s | 91Īrcadia, Eden, and Nationalism Farmland in English Canada, 1870 to 1915 | 104
Hopes and Promises Resident Artists in English Canada, 1830s to 1860s | 64 Place and Displacement Drawings and Watercolours in French and English Canada, 1600 to 1830 | 33 Geographies of the Mind Art-Maps of French and English Canada, 1500 to 1760 | 15 Illustrations | vii Acknowledgments | xvii Introduction Canadian Landscape Art, 1500 to 1950 | 3 1 This book was designed and typeset by studio oneonone in Minion 10.5/14.5 Series: McGill-Queen’s/Beaverbrook Canadian Foundation studies in art history 3. (McGill-Queen’s/Beaverbrook Canadian Foundation Studies in art history 3) isbn 978-0-7735-3817-7 1. (Marylin Jean), 1944– Picturing the land : narrating territories in Canadian landscape art, 1500–1950 / Marylin J. Library and Archives Canada Cataloguing in Publication McKay, Marylin J. We also acknowledge the financial support of the Government of Canada through the Book Fund for our publishing activities. McGill-Queen’s University Press acknowledges the support of the Canada Council for the Arts for our publishing program. This book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Aid to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada.
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© McGill-Queen’s University Press 2011 isbn 978-0-7735-3817-7 Legal deposit first quarter 2011 Bibliothèque nationale du Québec Printed in Canada on acid-free paper that is 100% ancient forest free (100% post-consumer recycled), processed chlorine free. M c g i l l - q u e e n ’s u n i v e r s i t y p r e s s Montreal & Kingston Narrating Territories in Canadian Landscape Art, The Practice of Her Profession Florence Carlyle, Canadian Painter in the Age of Impressionism Susan Butlin Bringing Art to Life A Biography of Alan Jarvis Andrew Horrall Picturing the Land Narrating Territories in Canadian Landscape Art, 1500–1950 Marylin J. Studies by Canadian scholars on non-Canadian themes will also be considered. We welcome submissions from Canadian and international scholars for book-length projects on historical and contemporary Canadian art and visual and material culture, including Native and Inuit art, architecture, photography, craft, design, and museum studies.
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This series supports and stimulates such scholarship through the publication of original and rigorous peer-reviewed books that make significant contributions to the subject. Recognizing the need for a better understanding of Canada’s artistic culture both at home and abroad, the Beaverbrook Canadian Foundation, through its generous support, makes possible the publication of innovative books that advance our understanding of Canadian art and Canada’s visual and material culture.
McGill-Queen’s/Beaverbrook Canadian Foundation Studies in Art History san dr a pa ikowsk y and martha l ang ford, series editors.
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